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Promiscuous Media: Film and Visual Culture in Imperial Japan, 1926-1945

STUDIES OF THE WEAI BOOK SERIES Hikari Hori (Cornell University Press, 2018) For information from the publisher, please click here. In Promiscuous Media, Hikari Hori makes a compelling case that the visual culture of Showa-era Japan articulated urgent issues of modernity rather than serving as a simple expression of nationalism. Hori makes clear that the Japanese … [Read more...]

“Vietnam’s Media Landscape”

Brown Bag Lecture “Vietnam’s Media Landscape” Nguyen Thu Giang, Lecturer at the Faculty of Journalism and Communication, Vietnam National University Moderated by Duncan McCargo, Visiting Professor of Political Science, Columbia University Tuesday, March 20, 2018 12:00 PM - 1:30 PM International Affairs Building, Room 918 No registration required … [Read more...]

WEAI Author Q&A: Alexander Zahlten’s “The End of Japanese Cinema”

We are excited to announce a new title in the Studies of the Weatherhead East Asian Institute book series: The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies, published by Duke University Press. The book's author is Alexander Zahlten, an Associate Professor of East Asian Languages and Civilizations at Harvard University. In The End of … [Read more...]

The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies

STUDIES OF THE WEAI BOOK SERIES Alexander Zahlten (Duke University Press, 2017) For information from the publisher, please click here. In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the … [Read more...]

WEAI Welcomes Miki Kaneda, Visiting Assistant Professor of Music

WEAI welcomes Miki Kaneda, who is a visiting assistant professor in Columbia University's Department of Music. Dr. Kaneda's research focuses on transcultural crossings and the entanglements of race, gender, power, and colonial residues in experimental, avant-garde and popular music in the 20th and 21st centuries. Trained in musicology and ethnomusicology, she has published on … [Read more...]

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