STUDIES OF THE WEAI BOOK SERIES Hikari Hori (Cornell University Press, 2018) For information from the publisher, please click here. In Promiscuous Media, Hikari Hori makes a compelling case that the visual culture of Showa-era Japan articulated urgent issues of modernity rather than serving as a simple expression of nationalism. Hori makes clear that the Japanese … [Read more...]
The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies
STUDIES OF THE WEAI BOOK SERIES Alexander Zahlten (Duke University Press, 2017) For information from the publisher, please click here. In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the … [Read more...]
Robert Barnett talks with The New York Times About Prominent New Tibet-Related Films
Modern Tibetan Studies Director Robert Barnett (Retired January 2018) talked with The New York Times in a June 10, 2016 article about prominent Tibet-related movies that are screening at the 2016 Shanghai International Film Festival. “These young Tibetan filmmakers are trying to make us look very hard without giving us answers,” Professor Barnett noted. “Many of their films … [Read more...]
A New Retrospective on Hou Hsiao-hsien: A Discussion with Organizer Richard Suchenski
On Friday, September 12, 2014, the Museum of the Moving Image will launch a retrospective of the films by Taiwan's celebrated director Hou Hsiao-hsien. The internationally-touring series, titled "Also Like Life: The Films of Hou Hsiao-hsien," runs through October 17 in New York and includes all of the director's seventeen feature films. The retrospective will also showcase … [Read more...]
